Grieshuus tells the story of the conflict between Hinrich and Detlev, two brothers who are the airs to the ruler ship of the titular Grey House, a castle and small town somewhere in rural Germany. The film has two definite arcs. The first tells how Hinrich falls out of favor with his father by marrying a maid (whom he meets while saving her from gang rape by a group of crazed nomads, in one of the first sections most inspired sequences as well as one of its most Griffith-esque), and has himself written out of the inheritance. The vain and aristocratic Detlev returns just in time for their father to have a heart attack. 　　The two brothers spar over control of the castle and land, with the local surfs on Hinrich's side and the law on Detlev's. The conflict swirls out of control, and after the death of Hinrich's young wife, the “good” son Hinrich finally loses any semblance of sanity and brutally kills Detlev on a windy hill. Hinrich, now a fugitive, disappears. The second arc begins a decade or so later, where Hinrich's son has been raised and groomed by the surfs to eventually take over the now shuttered Grey House. Detlev's widow has returned and plans to kidnap the child and take over the land herself, but Hinrich has also wandered back to his old home town, now worn and aged. The Ghost of Hinrich's wife appears and allows for a miraculous rescue by both frightening Detlev's widow and alerting Hinrich to the danger their son is in. Hinrich dies saving his sons life, and we assume as the film fades to black that the child will become a benevolent ruler of Grey House.

Grieshuus tells the story of the conflict between Hinrich and Detlev, two brothers who are the airs to the ruler ship of the titular Grey House, a castle and small town somewhere in rural Germany. The film has two definite arcs. The first tells how Hinrich falls out of favor with his father by marrying a maid (whom he meets while saving her from gang rape by a group of crazed nomads, in one of the first sections most inspired sequences as well as one of its most Griffith-esque), and has himself written out of the inheritance. The vain and aristocratic Detlev returns just in time for their father to have a heart attack. 　　The two brothers spar over control of the castle and land, with the local surfs on Hinrich's side and the law on Detlev's. The conflict swirls out of control, and after the death of Hinrich's young wife, the “good” son Hinrich finally loses any semblance of sanity and brutally kills Detlev on a windy hill. Hinrich, now a fugitive, disappears. The second arc begins a decade or so later, where Hinrich's son has been raised and groomed by the surfs to eventually take over the now shuttered Grey House. Detlev's widow has returned and plans to kidnap the child and take over the land herself, but Hinrich has also wandered back to his old home town, now worn and aged. The Ghost of Hinrich's wife appears and allows for a miraculous rescue by both frightening Detlev's widow and alerting Hinrich to the danger their son is in. Hinrich dies saving his sons life, and we assume as the film fades to black that the child will become a benevolent ruler of Grey House.

这是一个懒洋洋的日子，警官唐老鸭（克拉伦斯·纳什 Clarence Nash 配音）把车停在正在大街某个阴凉角落里，然后呼呼大睡。就在此时，电台传来呼叫声，长官命令他去抓捕恶徒泰尼•汤姆。唐老鸭毫不怠慢，开着警车呼啸来到817号门前。这座房间破破烂烂，阴森可怖。唐老鸭敲开房门，恶棍泰尼完全不怕这个小警察，一番对峙之后，他被恶棍打飞出去。强攻不行，只有想办法智取，唐老鸭假扮着嗷嗷待哺的小婴儿，用一封假的认父信骗开房门，伺机夺走对方的手枪，还得想办法把泰尼铐起来。 　　这可不是一项简单的工作，随时都可能丢掉性命呢……

《寻宝》是一部彻底的无声电影，在富豪之女的赞助下完成于1968年，展示了加瑞尔超凡脱俗的影像能力。常与大卫·林奇1970年的早期代表作《祖母》相提并论。影片讲述了一对夫妻和他们四岁儿子的故事。面对未知但可怕的危险，三人踏上逃亡的旅程。他们似乎是被一场战争纠缠，而观众仅能从他们的脸上和动作上看出战争的端倪。他们离开家，跑过田野，穿过道路，最终来到一片荒凉的土地。随着三人逃向未知，无形的恐慌气氛愈发强烈，仿佛随时会揭露这个神秘家庭中巨大的精神创伤。但小男孩渐渐开始摆脱支配他们的恐惧。在这片荒芜而不安的土地上，观众能看到生命的最弱点，而这个小男孩上演了属于他的反抗。

Based on real events, it follows a Neo-Nazi who plans to kill an MP and how his plan was foiled by an inside man.

Based on real events, it follows a Neo-Nazi who plans to kill an MP and how his plan was foiled by an inside man.

本剧改编自Richard Flanagan于2014年荣获布克奖的同名小说。 Dorrigo Evans是一位陆军外科医生，在二战期间一个负责修建泰缅铁路的战俘营里，勉强成为了男性囚犯的领头人。与叔叔的年轻妻子Amy的短暂婚外情，伴随着他度过了人生中最黑暗的时光。

人类大脑有1000亿个神经元，每个神经元每秒发送数十或数百次电波。神经科学家大卫•伊戈曼带领观众探究大脑的机制和未来。

人类大脑有1000亿个神经元，每个神经元每秒发送数十或数百次电波。神经科学家大卫•伊戈曼带领观众探究大脑的机制和未来。

芬蘭新浪潮 　　我始终认为六七十年代是电影的一个高峰，所以这个时代也许不知名的电影都具有深刻的潜质。 　　这个名字很有意思，当我看到这个名字的时候一下子觉得心有所属。和我的网名一样。而这个电影名，按英语翻译是under the skin，在肌肤下的意思，应该是在表面下隐藏着某些东西，更深入的情感。结合剧情来看，也是表现年轻人内在的潜藏的情感。深入肌肤有点不恰当，但要更富有诗意一些，所以我还是选择了这个名字。 　　下面来说说剧情吧。两对年轻人，桑图和丽塔，提帕和莲娜。桑图和提帕是好朋友，丽塔和莲娜分别是两人的恋人。四个人假期时来到一个小村庄的河边渡假。莲娜的命运有些不幸，而桑图是个叛逆的青年，他更喜欢莲娜具有的知性和忧郁美，在表面欢闹与快乐的生活，情感纠缠不清，甚至在电影的故事发生之前，桑图已经渐渐对莲娜产生了情愫。提帕和丽塔成为爱情中被背叛的两个人。提帕是一个医学学生，在乡村一个小姑娘被毒蛇咬伤之后，他负责包扎治疗，当时丽塔也在场。而这时桑图和莲娜却在别的地方偷情。最后情感在四个年轻人之间变得纷乱烦扰，他们似乎都冲不破这感情的变迁和牢笼。丽塔充满了对桑图背叛的恼恨和哀怨，提帕最后也唱起了忧伤的情歌。而玩世不恭的桑图面对这破碎的感情也显得手足无措，莲娜沉默着，不知道自己该怎么做，也许她从来不觉得自己有选择的权利。 　　整个电影探讨了年轻感情与观念的琐碎与漂浮不定，纷乱的情感里留给人的深深的伤害，绝望与忧伤。他们凭着自己的感觉行走，却找不到一个完美的归宿。电影也时刻充满着忧伤的歌曲，表达了年轻人的寂寞，孤独与忧郁感。